Update: You can also use ISO recording ( ISO for 'iso'lated recording of camera inputs) in Wirecast on Mac or Windows, or vMix on windows. It also cost a pretty penny, but as with most things in video production, it was well worth it if you needed this functionality frequently! There was a utility for the Mac that used to be supported and allowed easy multi-camera recording, called CaptureSync, but it was unmaintained as of 2019, and likely won't work with newer Macs. One quick hack is to record one super-wide canvas in OBS, and place one camera on one side, and one on the other, and then crop the video out in editing later, but that's not fun to set up, it eats up even more computer resources (many computers would drop frames while recording, especially at higher resolutions and frame rates), and for longer recordings the post-processing required would take forever. So, during a livestream, unless you're willing to pay for somewhat expensive software like mimoLive, or dedicated video production hardware like the TriCaster, you're stuck recording one video feed (which can have multiple cameras, but not at full resolution in separate files).
Well, unfortunately OBS doesn't allow recording multiple cameras to separate files. 1080p) as separate files, so you can re-mix or re-cut the video angles as you see fit? Wouldn't it be nice if you could record all the cameras immediately on your computer? I mean, you can put multiple camera angles into software like OBS, and have them on-screen at the same time or switch between them live, so why not be able to also save different camera angles at their full resolution (e.g. For example, my Sony a6000, which can only record 30 minute clips. Also, many cameras have recording time limitations. But this doesn't work with cameras that don't have onboard storage like webcams or PTZ cameras.
If all your cameras have their own storage, you can record on each of them, then bring the footage into your editor and sync the clips by audio afterwards.
There are a lot of little conveniences you get used to if you do professional live video production with high-end equipment that you often can't replicate in a budget studio.
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